"To Be or Not to Be."

RLC emails to say that the great old Jack Benny/Carole Lombard movie (directed by Ernst Lubitsch) — which we loved in the 1970s — is out in a Criterion Collection edition. He notes the 97% positive rating by the critics collected at Rotten Tomatoes, and I see that the 3% negativity is accounted for entirely by the one review that comes from 1942, when the movie was released. It's Bosley Crowther in the NYT:
Perhaps there are plenty of persons who can overlook the locale, who can still laugh at Nazi generals with pop-eyes and bungle-some wits. Perhaps they can fancy Jack Benny, disguised be-hind goggles and beard, figuratively tweaking the noses of the best Gestapo sleuths.
Carole Lombard is, Crowther tells us, "very beautiful and comically adroit." Twice, in this short review, he informs us that this is her last movie. He writes the strange phrase "the feelings which one might imagine her presence would impose are never sensed." She's beautiful and dead, so he thought he was going to have feelings, but he's forced to see her there with that big old ham, the "radio comedian," Jack Benny:
Too often does he pout or grow indignant or pull a double-take. Of course, the script en-courages the old Benny legend of "ham." Once a German officer comments, laughing loudy, "What he did to Shakespeare we are doing now to Poland." That gives you a couple of ideas about this film.
How dare Jack Benny get the last of the beautiful and adroit Carole Lombard!